![]() All three versions of the lens featured an automatic diaphragm and supported Auto Aperture, Full aperture metering, and AE operation (when used with any Canon automatic SLR camera). The FD I had a silver colored metal breech lock on the base and minimum f-stop value of f/16, two traits shared by the FD II, but not the FD III. (Spectra Coating) treatment, which was unique to the 50mm f/1.8 line of FD lenses – all other FDs were treated with S.S.C. All three iterations were coated with Canon’s S.C. While some may consider this negligible, I personally favor this version of the lens for the build quality and subjectively better bokeh. This gives the FD I a slight edge when it comes to bokeh which feels a bit less busy than its two successors. It was the only version of the lens to feature 6 rounded aperture blades (versus the later 5). It’s quickly identified by its premium looking chrome hood mount and filter thread (often referred to as “chrome nose”). It’s fairly difficult to find versus the 2nd and 3rd generation version due to less extensive production and higher current desirability. The Canon 50mm f/1.8 FD I lens (first iteration) had the best build quality and featured all solid metal and glass construction. Great walk around lens, ideal for portraits, street photography, landscapes, and astrophotographyĬanon 50mm f/1.8 FD I Lens (first generation: 1971-1973).Surprisingly pleasant sunstars (especially with the FD I version).Excellent image compression for a good bokeh effect. ![]() ![]() Reasonably sharp at center wide open at f/1.8 and sharpest across the frame by f/5.6.Reasonably fast and bright f/1.8 maximum aperture allows for shallow depth of field and for good results in low-light photography.Very little barrel distortion(-0.40% average over all aperatures).While many of these differences are fairly insignificant, for some, it may make or break the decision on which version of the lens to look for. In this review we’ll cover all three versions of the Canon 50mm f/1.8 FD along with their various strengths and weaknesses. Its light weight, unequaled cost to performance ratio, and easy adaptability to many full frame and APS-C mirrorless camera systems make it an obvious choice for any photographer looking durable, high quality portable lens that’s easy to pack and travel with. It’s a work horse of a lens that’s probably capable of faithfully serving you for a lifetime if you get a good copy and take care of it. While it won’t make front page headlines if you imatest it or subject it to DXOMark benchmarking, the Canon 50mm f/1.8 FD Lens is an excellent all-around performer and more than adequate for just about anything you’d want to photograph in its focal range. The sample images in this post were captured using a Sony A7r, Mark III Lens model: Canon 50mm f/1.8 FD Lens (generation i-iii)Īt a glance: While none of these lenses are trend setting in features or optical qaulity, they're all exceptionally useful tools that hold their own in overall usability. Using these links won't cost you a thing, may save you money, and it helps us to keep putting out great material for you to read while remaining ad free. This article contains affiliate links, for more information see the disclosure here.
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